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In my opinion, construction works were far from ending, but maybe I'm not taking into account the proverbial German efficiency :-) I hope to give you an update, next year -) As far as I could read on several big signs, it is aimed to host car and motorbike exhibitions yet, I think that nothing prevents those spaces from accommodating machines that produce different types of 'sounds'. There, a big exhibition building is being developed. Moreover, they are keeping their eyes open on the construction works for another big exhibition facility, that are going on in front of the MOC. They would like to occupy further space on the upper floors in the 'Atriums', that is, where the more 'traditional' rooms are placed. They replied that this year an increase in the number of exhibitors actually occurred, and they run out of the available space, but they plan to expand, next year. Someone objected that the amount of exhibitors is increasing too much. confirmed that MOC is the most apt place for this show. The one that I think may be interesting for our readers is that H.E.S.

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He liked both the song and the artist, but his colleagues from Trinnov previously vetoed that song, plus other audiophile classics, in order not to be accused of relying on 'audio show clichГ©s'.Дuring the opening press conference, many things were said.

The Trinnov room guy asked us what song we'd like to hear to experience the effect of their signal processing, and he was relieved when he could satisfy a request for 'The look of love' by Diana Krall. I also noticed that the use of audiophile classics was felt as something to be avoided, thus, in a politically correct paradox, they were not played at all. It surely helped that almost every exhibitor could dig deep into his big music file archives used as musical source. Yet, I must say that, in Munich, I listened to very diverse, often unusual, types of music. Now, I don't think those voices have an influence in the real world. Speaking of the demos, I must express another completely positive comment about the music played.Д«oth in the magazines and in internet forums, people often criticize the music used for demonstrations at audio shows, always the same, always limited to 'audio show old audiophile chestnuts'. Yet, I must say that almost all the demos flew flawlessly. This problem was often worsened because the rooms' doors were left open - but it's normal for an exhibitor to invite people to come in. Some - few - systems sometimes played really loud, and disturbed the neighbors. My only grumble - and it's a minor one, but shared also with some of the exhibitors - refers to sound leaking from adjacent rooms. Exhibitors, too, looked unstresssed, so I must assume that they worked well. The visitor is always cared for and his only duty is having fun. So, I found the usual perfect management efficiency and enjoyed a very good show. Actually вЂ¦ we didnвЂ™t notice it вЂ“ evidence of a smooth transition between old and new managers. Last year I wondered how the show would have reacted to the retirement of its longtime boss, Branko Glisovic. So I was (I still am) sorry to miss some of them, like Bryston, and their legendary espresso coffee bar :-) This, and my bad schedule, prevented me from visiting all the exhibitors. This year, I felt that the number of exhibitors increased. This year, too, I went to Munich, and I was lucky to find a pleasant weather, despite the bad forecasts.ДЇirst of all, I confirm what I already wrote in my previous articles about this show's huge dimensions and variety. Website with plenty of resources: High End Society The show took place from May, 18th through May, 21st, 2017 at the M.O.C. A Visit to the High End 2017 show in Munich